Here we go with another of my very sporadic diatribes.
Update below.I am not the only one to use the term 'pornography" to describe the quality of writing on the Arab world appearing in the western media and its minions.
Davidiovich over at Remarkz, (for whom I should and do have an affinity, for the sake of his name, if not for everything else too) a blog mostly about Lebanon, gets it too, although he archly borrows the name of the band Porno for Pyros, evoking the true dual meaning of the term pornography and pyromania and applying it to this offensive style of writing. (Aside: D-vich credits the lead Perry Farrell, but in my opinion, the real genius there was Steven Perkins - listen again, and then talk to me.)
there is something pornographic in the way these writers describe Lebanon and the Lebanese (one can almost hear Ms. Miller exclaiming: ‘Lebanese chicks are hot, dude!’). And pyros, because many of these fire-starters were disappointed that the Israelis did not incinerate even more Lebanese back in 2006.
He's talking here about Judith Miller, formerly of the
New York Times, now writing for, among other things, the
Daily Beast, where she has apparently landed after being obliged to leave the
Times when her mendacity became too much of a public spectacle. She's just had her
obligatory one-day whirlwind tour of the environs of Beirut, which resulted in the usual enormously shallow analysis.
It seems that a new Beirut spring has arrived (a lovely time of year). Now that the political situation really has quieted down, we are being served pulse-racing travelogues about trips into the forbidden zones. And I now venture yet another term for this kind of writing, especially when it describes Beirut:
terror-tourism. Christopher Hitchens, not at all unfamiliar with the Arab world,
glories in it. Juan Cole, otherwise no slouch in analysis of the Islamic/Arab world,
does too.
Such well-worn discussions strike some familiar themes among them a fascination with Hizbullah and another what the women are wearing. Both of these obsessions are embedded in a larger narrative of westernizing and modernising the Arab world. Some of it comes from a shrewd - maybe we should say cynical - assessment by editors of what readers want. Here's Michael Young, a writer who, like Thom Friedman, usually gives me blisters,
on that:
Why this interest in Hizbullah, and why does this interest quite often morph into measured, even unmeasured, attraction? I can offer up several hypotheses, not mutually exclusive. First of all, for a Western journalist or analyst, Hizbullah is an easy story to sell to a publication or think tank. There are guns and strange bearded men, and both will grab an editor back home and a writer eager to show off his access to a closed world that is vaguely menacing. There is the legitimate fact that Hizbullah plays a definable role in Lebanon, so that it makes no sense not to cover the party. However, when was the last time a journalist sold a story on the inherent pluralism in Lebanese sectarianism? Once you've woken the editor up and told him that this defines Lebanon more accurately than Hizbullah does, he'll still choose the riveting clarity of a Hizbullah peg [my emphasis].
Leave aside that Hizbullah is not so terribly closed an institution. It is in fact very easy to gain access to Hizbullah, it's leadership, functions, and neighborhoods of influence. Hence some of the journalistic stuff struttin'. Beirut still holds the reputation as being the space of civil war and kidnappings by those strange and bearded men. And to have been there marks one as having gained some kind of arcane insight into the netherworld. The next time you watch a film in which part of the plot involves establishing the bona fides of any particular character, listen how often Beirut's name is dropped. Even though by now the age of the particular character and the time period being referred to don't match! But, to write about it first hand makes the reporter seem so daring, so on-the-spot, so in-the-know. And now it is so easy to do it without incurring much risk, despite Mr Hitchens' attempt at playing the hero against the scary thugs. (There is some speculation that the incident he so heroically describes never really happened. Perhaps he is trying to out-Fisk Robert Fisk's very real, very harrowing
escape from being beaten to death by a
mob of refugess on the Afghanistan, Pakistan border)
Another thing that grabs editors is prattle about women's attire - of all types.
This one fom a recent edition of
Der Spiegle is an especially egregious and voyeuristic example of the genre. For God's sake "Damascene perversion"? and "Palestinian women have the wildest taste"?
But in a milder form, many engage in it.
Juan Cole: Many Shiite young women are every bit as chic and oriented toward Paris fashion as their Maronite Catholic peers
Hitchens: Women with head covering were few; women with face covering were nowhere to be seen. Designer jeans were the predominant fashion theme.
Miller: Beirut is at least two cities—the modern capital with its chic designer shops, expensive bars, raucous nightclubs, and billboards advertizing [sic] breast augmentations and tattoo removals, and...Hezbollah’s southern suburbs...patrolled by the Party of God’s own traffic police and security forces. No breasts or even hairdos are on display here.
First of all, Miller is plain wrong about her last little comment. Maybe she didn't see any such things on her whirlwind tour of the axis of evil, but were she to go on a more-or-less regular basis, she would notice that one thing that does not characterize the Hizbullah neighborhoods is a preoccupation with women's dress. There are plenty of women to be seen on the streets wearing all sorts of Beirut styles, of every type. True, the muhaggabat are greater in number than they are on Hitchen's Hamra, but the fashonistas are also out in great number. And I for one have seen lower décolletage in the attire of a young woman right out in front of Fadlallah's mosque riding behind her beau on one of the ubiquitous motorscooters than I have anywhere else on the streets. In the southern neighborhoods of Beirut, women's clothing is just not a huge issue. Nor, for that matter, is it in mine, which is Amal and not Hizbullah. It seems it is western journalists - and probably their editors - who are absoutely obsessed with it, but not the residents of these neighborhoods. Or maybe Ms Miller had just forgotten to take off her ideological goggles.
Two other matters of obsession: bars, and elections. In all of this, the talk of those bearded men, and those scantily clad women, as well as the preoccupation with the amount of alcohol consumed in the Arab world (a new addition to the genre
here about a return to the drinking and whoring ways of the days of Saddam), seems framed in such a way as to offer the hope to consumers of the major Western news outlets that those people over there are not so bad, even if they are somewhat quaintly odd, so long as they seem willing to adopt some of our ways. Never mind that those ways when placed into a Western context are condemned. The piece about drinking and other vices practiced in Baghdad discusses men gathering round a cockfighting pit and speaks with apparent approval of a relative renaissance of the oldest trade. And of course your reporter cannot pass up the opportunity to describe the clothing:
She dresses in a head-to-toe, skin-tight black chador, and she is adorned with several pounds of solid gold bracelets, pendants, necklaces, earrings and rings, her response to the financial crisis.The female workers in the nightclub wore rather less clothing, but nothing that would be considered risqué on a street in Europe
(I am not an expert in Iraqi vernaculars, but is the woman's outer garment in Iraq called a chador? That is the Persian name for it. Could be a linguistic borrowing, but I suspect it is the writer's ignorance on display). Be that as it may, are these really issues? Women's breasts? Form-fitting garments? Cock-fighting, drinking, and gambling?
Reporters for the major outlets find hope in the carousing and drinking of a few very unrepresentative members of society; or to the contrary, they lament the decline in the opportunities for such behavior. Look for a discussion of that
here. These reporters are ignoring the real story. For instance, when celebrating the return of some of the good old days before the war, your reporter in remarking upon some of those values he would apparently like to see return says:
perhaps [this is going] part way back to the old Baghdad. The Baathists who ruled here from the 1960s until the American invasion in 2003 were secular, and more than a little sinful. Baghdad under Sadam Hussein was a pretty lively place, with street cafes open until 2 or 3 a.m., and prostitutes plying their trade even in the bowling alley of Al Rashid Hotel.
He fails to point out that pre-war Iraq was a prosperous society with a large affluent, educated middle class, now destroyed, not to return soon. Yet he sees progress in a few members of society return to drink. Of course alcohol is available in the Arab world, it is just not as large part of life as it is in the West. And why should it be?
An annoying thing about this type of debate, and unfortunately it occurs even at the level of some scholarly discourse, is that it takes Western mores and life-ways to be the norm, when in terms of historical patterns of human social organization western society is aberrant. Even in terms of the modern age, it is; with fewer than one fifth of the world population living anything like a modern consumerist lifestyle, the West is not the standard of normality. Consider this
little-reported discussion of the economic miracle in India and extrapolate.
It seems that this modernising narrative is particularly concerned with the Arab and Islamic world (with the Arabs first, and then they are often conflated with all of Islam - and of course the Iranians are confused with the Arabs), and not with other equally as exotic locales. Or is it just that I am more alert to the discourse about the Arab world? But check out
this discussion of a recent law promulgated by China’s State Administration of Religious Affairs and then consider the yawn (or as author Slavoj Zizek says, a laugh) it evoked in the press; then imagine the uproar that might have ensued had something similar been adopted by an Arab Ministry of Awqaf or proposed by the Saudi ulema.
And speaking of wishful thinking about the Arab world adopting western ways, and how that is all threatened by recrudescent Islam, look at
this. But don't leave it there; read
Davidiovich's stinging rebuke of the reporter, Robert Worth, who has been criticized in this blog too. I was finally propelled to return to blogging when choking over the sheer irresponsibility of the piece, not to mention the usual pornographic aspects of it. What got me was this, and I'm glad Davidiovitch left at least this much for me:
The result is a race that is widely seen as the freest and most competitive to be held here in decades, with a record number of candidates taking part. But it may also be the most corrupt [again my emphasis].
Wha'?? I think the
Times has finally lost its mind. And with this bit of nonsense, we can now safely ignore its pronouncements about anything. How can an election be free and corrupt at the same time? Unless, and this is a real possibility, the idiot reporter and his editor and his readers think that the sole measure of an election is in the absolute numbers of candidates running and the percentage of the population voting. No matter how they got as far as the polls or who pays for them (unless it is the Muslim bugbear, then it matters a lot). That certainly seems to be the American vision of democracy for the Arab world.
If you want comprehensive coverage of the Lebanese elections and comment as well, follow the
qifa nabki blog.
Update:
Another discussion of Robert Worth's latest NYT piece on a blog following the Lebanese elections. This post takes him to task for never uttering a peep about the sectarian nature of Lebanese politics, which is the real story, even of the corruption that Worth is talking about.